{"data":{"id":"716819","string_id":"Mx9Kfz6l","status":"1","parent_id":"619750","slug":"Mx9Kfz6l","order":"2","name":"PD500W","type":"1","cover":"","cover_alt":"","desc":null,"website":"","contact":"","seo_title":"","seo_keyword":"","seo_desc":"","author":"Zoffy","published_time":"0","add_time":"1770088141","update_time":"1778036841","corp_auth_id":"0","verify_code_auth_id":"0","editor_type":"1","tags":[],"parent_name":"\u8349\u7a3f-\u9690\u85cf\u672a\u4e0a\u5e02\u4ea7\u54c1\u907f\u514d\u4e3b\u9875\u663e\u793a","parent_type":"1","parent_slug":"caogao","child":[{"id":"716820","string_id":"k5yJD9Cy","status":"1","parent_id":"716819","slug":"PD400W-Mobile-User-Guide","order":"0","name":"PD500W Mobile APP User Guide","type":"2","cover":"","cover_alt":"","desc":null,"website":"","contact":"","seo_title":"","seo_keyword":"","seo_desc":"","share_switch":"0","share_code":"","author":"Zoffy","published_time":"1770431121","add_time":"1770088159","update_time":"1778036826","corp_auth_id":"0","verify_code_auth_id":"0","editor_type":"3","file_type":"","auth_id":"[\"716819\", \"619750\"]","content":{"content_id":"716820","content":"

<\/div>\n

Product Overview<\/span><\/h2>\n
The PD500W microphone is Maono's new-generation wireless desktop microphone. It supports dual-microphone usage, making it an ideal solution for two-person podcasts or live streams. Two creators can each hold one microphone and connect to the live streaming platform synchronously through a single receiver without the need for an external sound card, simplifying the setup process for your creative scenes.<\/span><\/p>\n
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Product Functions<\/span><\/h2>\n
1. Connection<\/span><\/h3>\n
The receiver of the wireless microphone (Type-C\/Lightning\/Camera RX version) can be directly inserted into your phone's charging port. <\/span><\/p>\n
Open the Maono Link APP, and a microphone authorization prompt will pop up for the first use. Click \"OK\" to enable the microphone control functions. If authorization is denied or revoked, you will be unable to connect to Maono Link and configure the microphone settings.<\/span><\/p>\n
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2. Device Switching<\/span><\/h3>\n
When two microphones are connected simultaneously, tap the top tab bar to switch between the microphones you want to configure.<\/span><\/p>\n
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3. Battery Level Display<\/span><\/h3>\n
The current battery level of the microphones is displayed at the top of the app interface. When the battery is low, the microphone indicator light will flash rapidly. Please recharge the microphones in a timely manner.<\/span><\/p>\n
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4. Mute Control<\/span><\/h3>\n
Tap the Mic icon (located on the far right) to instantly:<\/span><\/p>\n
\u25cf \ud83d\udd07 Mute the microphone<\/strong><\/span><\/p>\n
\u25cf \ud83d\udd0a <\/span>Unmute the microphone<\/span><\/strong><\/p>\n
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5. Microphone Gain<\/span><\/h3>\n
The microphone supports both manual and automatic gain adjustment modes to meet different usage requirements.<\/span><\/p>\n
\u25cf Manual Gain<\/span><\/strong>:<\/strong> Drag the slider to adjust the microphone input gain, with an adjustable range from -18dB to 18dB.<\/span><\/p>\n
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\u25cf Automatic Gain Control (ALC)<\/span><\/strong>: <\/strong>Automatically adjusts the microphone gain to ensure balanced sound output and prevent low volume or overload distortion. Three gain levels are available: Short Distance, Medium Distance, and Long Distance. Select the appropriate level based on your speaking volume and distance from the microphone.<\/span><\/p>\n
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\u26a0\ufe0fNote: Enabling Automatic Gain Control will affect the performance of the compressor and limiter, so these two functions will be temporarily disabled.<\/span><\/em><\/p>\n<\/blockquote>\n
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6. Noise Reduction<\/span><\/h3>\n
The PD500W supports two noise reduction modes: Preset Noise Reduction and Custom Noise Reduction.<\/span><\/p>\n
\u25cf Preset Noise Reduction<\/span><\/strong>: <\/strong>Offers three noise reduction levels—<\/span>Slight<\/span>, <\/span>Moderate<\/span>, and Aggressive—to adapt to different noisy environments.<\/span><\/p>\n
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\u25cf Custom Noise Reduction<\/span><\/strong>:<\/strong> If the preset modes do not meet your needs, you can manually adjust the noise reduction level in Custom Noise Reduction mode, with an adjustable range from<\/span> ndB to mdB<\/span>.<\/span><\/p>\n
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7. Compressor & Limiter<\/span><\/h3>\n
Basic compressor and limiter functions are provided. In most cases, adjusting the outer threshold will yield ideal results. For more precise adjustments, tap the \"More\" icon to enter the advanced settings window, where you can modify parameters such as compression ratio, limiting ratio, attack time, release time, and threshold.<\/span><\/p>\n
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8. Internal Recording<\/span><\/h3>\n
The internal recording function effectively prevents material loss caused by wireless interference or camera malfunctions. You can enable or disable this function at any time as needed.<\/span><\/p>\n
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\u26a0\ufe0fNote: Internal recording cannot be enabled when the remaining recording time of the TX is less than 30 minutes. Please export the audio files first and then perform the formatting operation.<\/span><\/em><\/p>\n<\/blockquote>\n
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8<\/span>.<\/span>1<\/span> Bit Depth<\/span><\/span><\/h4>\n
Set the audio bit depth for microphone internal recording. Two options are supported: 24bit and 32-bit float.<\/span><\/p>\n
\u25cf 24bit<\/span><\/strong>:<\/strong> Standard audio bit depth, suitable for daily recording needs.<\/span><\/p>\n
\u25cf 32-bit float<\/span><\/strong>: <\/strong>Preserves more complete audio information, expanding the scope for post-audio processing.<\/span><\/p>\n
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\u26a0\ufe0fNote: Enabling 32-bit float bit depth will increase the file size, thus shortening the total recording duration of the TX.<\/span><\/em><\/p>\n<\/blockquote>\n
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8.<\/span>2<\/span> File Type<\/span><\/span><\/h4>\n
Select the file type for saved internal recordings, with two options available:<\/span><\/p>\n
\u25cf Original File<\/span><\/strong>: <\/strong>Raw audio files without any algorithmic processing, retaining the complete original recording information.<\/span><\/p>\n
\u25cf Processed File<\/span><\/strong>: <\/strong>Audio files optimized by algorithms, such as noise reduction and scene sound effect enhancement.<\/span><\/p>\n
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\u26a0\ufe0fNote: The bit depth and file type cannot be modified while internal recording is <\/span>enable<\/span>.<\/span><\/em><\/p>\n<\/blockquote>\n
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8.<\/span>3<\/span> Internal Recording Settings<\/span><\/span><\/h4>\n
\u25cf Startup Auto Recor<\/span>ding<\/span>:<\/span> <\/strong>When enabled, the TX will automatically start recording upon powering on.<\/span><\/p>\n
\u25cf Low Power Auto Recording<\/span><\/strong>: <\/strong>When enabled, the TX will automatically start recording when the RX battery level drops to 10%, ensuring critical audio material is not lost.<\/span><\/p>\n
\u25cf Loop Recording<\/span><\/strong>: <\/strong>When enabled, the device will automatically overwrite the earliest recorded files when the TX storage space is full, continuously saving the latest audio content.<\/span><\/p>\n
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8<\/span>.<\/span>4<\/span> File Export<\/span><\/span><\/h4>\n
Press and hold the microphone's internal recording button for 5 seconds to activate USB Drive Mode. Then, connect the microphone to a computer or phone via a USB cable to export the recorded files.<\/span><\/p>\n
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8<\/span>.<\/span>5<\/span> Storage Space<\/span><\/span><\/h4>\n
With 24bit bit depth, the device supports up to <\/span>XX<\/span> hours of recording. With 32-bit float bit depth, the supported recording duration is <\/span>XX<\/span> hours.To format the microphone's storage space, tap the \"Format\" button in the upper right corner of the interface.<\/span><\/p>\n
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9. Scenes<\/span><\/h3>\n
Multiple preset sound effect configurations are available, calibrated according to the product's features. <\/span>Custom configurations are not yet supported on m<\/span>obile devices. If you need to customize the configuration, please use the desktop version of Maono Link, which provides a full suite of graphical adjustment tools.<\/span><\/p>\n
\u25cf <\/span>Origina<\/span>l<\/span><\/span><\/h4>\n
4 basic presets to meet different raw audio processing needs.<\/span><\/p>\n
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\u25cf <\/span>Stream<\/span><\/h4>\n
2 presets optimized for distinctive vocal effects during live broadcasts, ready for one-click use.<\/span><\/p>\n
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\u25cf <\/span>Recording<\/span><\/h4>\n
2 presets tailored for different voiceover genres.<\/span><\/p>\n
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\u25cf <\/span>Podcast<\/span><\/h4>\n
2 presets optimized for different vocal styles in podcast scenarios.<\/span><\/p>\n
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10. Microphone Monitoring<\/span><\/h3>\n
The PD500W is equipped with a 3.5mm headphone monitoring jack for real-time microphone monitoring, and supports multi-channel sound mixing to meet your needs from solo creation to multi-device collaboration.<\/span><\/p>\n
1<\/span>0<\/span>.<\/span>1<\/span> Headphone Volume<\/span><\/span><\/h4>\n
Adjust the monitoring output volume of the current microphone with one click.<\/span><\/p>\n
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1<\/span>0<\/span>.<\/span>2<\/span> Monitoring Output<\/span><\/span><\/h4>\n
Check the audio sources you want to monitor through the current microphone. You can flexibly configure the monitoring output based on different creative scenarios. After checking the corresponding device option, the sound from that device will be output through the headphones.<\/span><\/p>\n
\u25cf <\/strong>Current Microphone<\/strong><\/span> (e.g., PD500W-1)<\/span>: Monitor your own voice.<\/span><\/p>\n
\u25cf Phone<\/span><\/strong>: <\/strong>Monitor background music, game audio, or call sounds (automatically disabled when phone speaker is activated).<\/span><\/p>\n
\u25cf Other Microphones <\/strong>(e.g., PD500W-2)<\/span>: Monitor your partner's voice.<\/span><\/p>\n
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Typical Scenarios<\/span><\/em><\/p>\n
\u25cf Solo Use<\/span><\/strong><\/p>\n
Check \"Local Microphone\" and \"Phone\" to monitor both your own voice and background music simultaneously.<\/span><\/p>\n
\u25cf <\/strong>Two-Person Live Stream <\/strong>(with 2 PD500W microphones connected)<\/span>:<\/span><\/p>\n
\u25cb Check all audio sources to hear your own voice, your partner's voice, and phone audio at the same time.<\/span><\/p>\n
\u25cb Check \"<\/span>Current<\/span> PD500W<\/span>-<\/span>1<\/span>\" and \"Phone\" to only monitor your own voice and background sounds.<\/span><\/p>\n
\u25cb Gaming\/Media Playback Only<\/span>: Check only \"Phone\" to get pure audio output from the phone through the headphones.<\/span><\/p>\n
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\u26a0\ufe0fNote: To configure monitoring for the Camera RX, perform the settings directly on the Camera RX device.<\/span><\/em><\/p>\n<\/blockquote>\n
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11. Electronic Pop Filter<\/span><\/h3>\n
Enabling the electronic pop filter function helps reduce the impact of plosive sounds such as \"p\" and \"b\", aspirated sounds such as \"t\", \"k\", and \"h\", and high-speed airflow noise caused by close-distance recording on the audio quality.<\/span><\/p>\n
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12. General Functions<\/span><\/h3>\n
1<\/span>2<\/span>.<\/span>1<\/span> Reverb<\/span><\/span><\/h4>\n
Reverb function is provided, supporting both Preset Reverb and Custom Reverb modes.<\/span><\/p>\n
\u25cf Preset Reverb<\/span><\/strong>:<\/strong> 10 preset reverb levels are available for quick adjustment based on personal preferences.<\/span><\/p>\n
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\u25cf Custom Reverb<\/span><\/strong>: <\/strong>If the preset effects are insufficient, enable Custom Mode. 3 groups of savable custom configurations are offered, allowing you to adjust professional parameters such as compression threshold and compression ratio for precise reverb tuning.<\/span><\/p>\n
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1<\/span>2<\/span>.<\/span>2<\/span> Channel Settings<\/span><\/span><\/h4>\n
\u25cf Mono<\/span><\/strong>:<\/strong> Merges audio signals into a single channel, with identical audio output from both left and right channels.<\/span><\/p>\n
\u25cf Stereo<\/span><\/strong>: <\/strong>When two microphones are connected to the receiver (RX), the left and right channels will output independent audio tracks from each microphone respectively.<\/span><\/p>\n
\u25cf Safety Track<\/span><\/strong>: <\/strong>Outputs two audio files through left and right channels. The left channel is the original volume, while the right channel is a backup track with 9dB attenuation.<\/span><\/p>\n
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1<\/span>2<\/span>.<\/span>3<\/span> Timecode<\/span><\/span><\/h4>\n
Timecode is a time marker used for synchronizing audio and video. This function is only supported when connected to the Camera RX.<\/span><\/p>\n
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Timecode Mode<\/span><\/strong><\/span><\/p>\n
The Camera RX can output timecode to cameras, mobile devices, and PCs. Three timecode modes are supported:<\/span><\/p>\n
\u25cf L-OUT<\/span><\/strong>: <\/strong>The receiver outputs timecode in Linear Timecode (LTC) format. Suitable for other devices that support external timecode input.<\/span><\/p>\n
\u25cf A-OUT<\/span><\/strong>: <\/strong>The receiver outputs timecode in Audio Timecode (ATC) format. It outputs the RX timecode to devices that do not support external timecode input by occupying the left audio channel.<\/span><\/p>\n
\u25cf N\/A<\/span><\/strong>:<\/strong> The receiver runs the timecode but does not output it externally; the timecode is only recorded in the internal recording files.<\/span><\/p>\n
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Timecode Frame Rate<\/span><\/strong><\/span><\/p>\n
Covers common video frame rates, with a default setting of 29.97F. Ensure the frame rate is consistent across all recording devices during use.<\/span><\/p>\n
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Timing Method<\/span><\/strong><\/span><\/p>\n
Select the timecode timing method, which defaults to counting from zero. When \"Real-Time Timing\" is selected, the timecode will synchronize with the phone system time.<\/span><\/p>\n
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\u26a0\ufe0fNote: Switching the timing method during internal recording will start a new recording session.<\/span><\/em><\/p>\n<\/blockquote>\n
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1<\/span>2<\/span>.<\/span>4<\/span> Microphone Identification<\/span><\/span><\/h4>\n
When Microphone Identification is enabled, the indicator light of Mic1 will turn purple and Mic2 will turn cyan when adjusting the microphone gain.<\/span><\/p>\n
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1<\/span>2<\/span>.<\/span>5<\/span> External<\/span> Output<\/span><\/span><\/h4>\n
When <\/span>External<\/span> Output<\/span> is enabled, sound will be played through the phone's built-in speaker. When disabled, it switches to headphone playback. You can connect 3.5mm headphones to the microphone's monitoring jack for audio monitoring.<\/span><\/p>\n
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13. Firmware Up<\/span>dat<\/span>e<\/span><\/span><\/h3>\n
<\/span><\/p>\n<\/div>\n<\/div>","pure_content":"\u00a0\n\n\nProduct Overview\nThe PD500W microphone is Maono's new-generation wireless desktop microphone. It supports dual-microphone usage, making it an ideal solution for two-person podcasts or live streams. Two creators can each hold one microphone and connect to the live streaming platform synchronously through a single receiver without the need for an external sound card, simplifying the setup process for your creative scenes.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\n\u00a0\nProduct Functions\n1. Connection\nThe receiver of the wireless microphone (Type-C\/Lightning\/Camera RX version) can be directly inserted into your phone's charging port. \nOpen the Maono Link APP, and a microphone authorization prompt will pop up for the first use. Click \"OK\" to enable the microphone control functions. If authorization is denied or revoked, you will be unable to connect to Maono Link and configure the microphone settings.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n2. Device Switching\nWhen two microphones are connected simultaneously, tap the top tab bar to switch between the microphones you want to configure.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n3. Battery Level Display\nThe current battery level of the microphones is displayed at the top of the app interface. When the battery is low, the microphone indicator light will flash rapidly. Please recharge the microphones in a timely manner.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n4. Mute Control\nTap the Mic icon (located on the far right) to instantly:\n\u25cf\u00a0\ud83d\udd07 Mute the microphone\n\u25cf \ud83d\udd0a\u00a0Unmute the microphone\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n5. Microphone Gain\nThe microphone supports both manual and automatic gain adjustment modes to meet different usage requirements.\n\u25cf\u00a0Manual Gain: Drag the slider to adjust the microphone input gain, with an adjustable range from -18dB to 18dB.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf\u00a0Automatic Gain Control (ALC): Automatically adjusts the microphone gain to ensure balanced sound output and prevent low volume or overload distortion. Three gain levels are available: Short Distance, Medium Distance, and Long Distance. Select the appropriate level based on your speaking volume and distance from the microphone.\n\n\u26a0\ufe0fNote: Enabling Automatic Gain Control will affect the performance of the compressor and limiter, so these two functions will be temporarily disabled.\n\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n6. Noise Reduction\nThe PD500W supports two noise reduction modes: Preset Noise Reduction and Custom Noise Reduction.\n\u25cf\u00a0Preset Noise Reduction: Offers three noise reduction levels\u2014Slight, Moderate, and Aggressive\u2014to adapt to different noisy environments.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf\u00a0Custom Noise Reduction: If the preset modes do not meet your needs, you can manually adjust the noise reduction level in Custom Noise Reduction mode, with an adjustable range from ndB to mdB.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n7. Compressor & Limiter\nBasic compressor and limiter functions are provided. In most cases, adjusting the outer threshold will yield ideal results. For more precise adjustments, tap the \"More\" icon to enter the advanced settings window, where you can modify parameters such as compression ratio, limiting ratio, attack time, release time, and threshold.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n8. Internal Recording\nThe internal recording function effectively prevents material loss caused by wireless interference or camera malfunctions. You can enable or disable this function at any time as needed.\n\n\u26a0\ufe0fNote: Internal recording cannot be enabled when the remaining recording time of the TX is less than 30 minutes. Please export the audio files first and then perform the formatting operation.\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n8.1 Bit Depth\nSet the audio bit depth for microphone internal recording. Two options are supported: 24bit and 32-bit float.\n\u25cf\u00a024bit: Standard audio bit depth, suitable for daily recording needs.\n\u25cf\u00a032-bit float: Preserves more complete audio information, expanding the scope for post-audio processing.\n\n\u26a0\ufe0fNote: Enabling 32-bit float bit depth will increase the file size, thus shortening the total recording duration of the TX.\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n8.2 File Type\nSelect the file type for saved internal recordings, with two options available:\n\u25cf\u00a0Original File: Raw audio files without any algorithmic processing, retaining the complete original recording information.\n\u25cf\u00a0Processed File: Audio files optimized by algorithms, such as noise reduction and scene sound effect enhancement.\n\n\u26a0\ufe0fNote: The bit depth and file type cannot be modified while internal recording is enable.\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n8.3 Internal Recording Settings\n\u25cf\u00a0Startup Auto Recording: When enabled, the TX will automatically start recording upon powering on.\n\u25cf\u00a0Low Power Auto Recording: When enabled, the TX will automatically start recording when the RX battery level drops to 10%, ensuring critical audio material is not lost.\n\u25cf\u00a0Loop Recording: When enabled, the device will automatically overwrite the earliest recorded files when the TX storage space is full, continuously saving the latest audio content.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n8.4 File Export\nPress and hold the microphone's internal recording button for 5 seconds to activate USB Drive Mode. Then, connect the microphone to a computer or phone via a USB cable to export the recorded files.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n8.5 Storage Space\nWith 24bit bit depth, the device supports up to XX hours of recording. With 32-bit float bit depth, the supported recording duration is XX hours.To format the microphone's storage space, tap the \"Format\" button in the upper right corner of the interface.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n9. Scenes\nMultiple preset sound effect configurations are available, calibrated according to the product's features. Custom configurations are not yet supported on mobile devices. If you need to customize the configuration, please use the desktop version of Maono Link, which provides a full suite of graphical adjustment tools.\n\u25cf Original\n4 basic presets to meet different raw audio processing needs.\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf Stream\n2 presets optimized for distinctive vocal effects during live broadcasts, ready for one-click use.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf Recording\n2 presets tailored for different voiceover genres.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf Podcast\n2 presets optimized for different vocal styles in podcast scenarios.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n10. Microphone Monitoring\nThe PD500W is equipped with a 3.5mm headphone monitoring jack for real-time microphone monitoring, and supports multi-channel sound mixing to meet your needs from solo creation to multi-device collaboration.\n10.1 Headphone Volume\nAdjust the monitoring output volume of the current microphone with one click.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n10.2 Monitoring Output\nCheck the audio sources you want to monitor through the current microphone. You can flexibly configure the monitoring output based on different creative scenarios. After checking the corresponding device option, the sound from that device will be output through the headphones.\n\u25cf\u00a0Current Microphone (e.g., PD500W-1): Monitor your own voice.\n\u25cf\u00a0Phone: Monitor background music, game audio, or call sounds (automatically disabled when phone speaker is activated).\n\u25cf\u00a0Other Microphones (e.g., PD500W-2): Monitor your partner's voice.\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\nTypical Scenarios\n\u25cf\u00a0Solo Use\nCheck \"Local Microphone\" and \"Phone\" to monitor both your own voice and background music simultaneously.\n\u25cf\u00a0Two-Person Live Stream (with 2 PD500W microphones connected):\n\u25cb\u00a0Check all audio sources to hear your own voice, your partner's voice, and phone audio at the same time.\n\u25cb\u00a0Check \"Current PD500W-1\" and \"Phone\" to only monitor your own voice and background sounds.\n\u25cb\u00a0Gaming\/Media Playback Only: Check only \"Phone\" to get pure audio output from the phone through the headphones.\n\n\u26a0\ufe0fNote: To configure monitoring for the Camera RX, perform the settings directly on the Camera RX device.\n\n\u00a0\n\u00a0\n11. Electronic Pop Filter\nEnabling the electronic pop filter function helps reduce the impact of plosive sounds such as \"p\" and \"b\", aspirated sounds such as \"t\", \"k\", and \"h\", and high-speed airflow noise caused by close-distance recording on the audio quality.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n12. General Functions\n12.1 Reverb\nReverb function is provided, supporting both Preset Reverb and Custom Reverb modes.\n\u25cf\u00a0Preset Reverb: 10 preset reverb levels are available for quick adjustment based on personal preferences.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf\u00a0Custom Reverb: If the preset effects are insufficient, enable Custom Mode. 3 groups of savable custom configurations are offered, allowing you to adjust professional parameters such as compression threshold and compression ratio for precise reverb tuning.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n12.2 Channel Settings\n\u25cf\u00a0Mono: Merges audio signals into a single channel, with identical audio output from both left and right channels.\n\u25cf\u00a0Stereo: When two microphones are connected to the receiver (RX), the left and right channels will output independent audio tracks from each microphone respectively.\n\u25cf\u00a0Safety Track: Outputs two audio files through left and right channels. The left channel is the original volume, while the right channel is a backup track with 9dB attenuation.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n12.3 Timecode\nTimecode is a time marker used for synchronizing audio and video. This function is only supported when connected to the Camera RX.\n\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\nTimecode Mode\nThe Camera RX can output timecode to cameras, mobile devices, and PCs. Three timecode modes are supported:\n\u25cf\u00a0L-OUT: The receiver outputs timecode in Linear Timecode (LTC) format. Suitable for other devices that support external timecode input.\n\u25cf\u00a0A-OUT: The receiver outputs timecode in Audio Timecode (ATC) format. It outputs the RX timecode to devices that do not support external timecode input by occupying the left audio channel.\n\u25cf\u00a0N\/A: The receiver runs the timecode but does not output it externally; the timecode is only recorded in the internal recording files.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\nTimecode Frame Rate\nCovers common video frame rates, with a default setting of 29.97F. Ensure the frame rate is consistent across all recording devices during use.\n\n\u26a0\ufe0fNote: Switching the frame rate during internal recording will start a new recording session.\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\nTiming Method\nSelect the timecode timing method, which defaults to counting from zero. When \"Real-Time Timing\" is selected, the timecode will synchronize with the phone system time.\n\n\u26a0\ufe0fNote: Switching the timing method during internal recording will start a new recording session.\n\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n12.4 Microphone Identification\nWhen Microphone Identification is enabled, the indicator light of Mic1 will turn purple and Mic2 will turn cyan when adjusting the microphone gain.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n12.5 External Output\nWhen External Output is enabled, sound will be played through the phone's built-in speaker. When disabled, it switches to headphone playback. You can connect 3.5mm headphones to the microphone's monitoring jack for audio monitoring.\n\n\n\n\n\nThe above image is for illustration purposes only.\n\u00a0\n13. Firmware Update\n\u00a0","is_draft":"0","editor_type":"3","file_path":"","add_time":"1770088159","update_time":"1778036826"},"pure_content":"\u00a0\n\n\nProduct Overview\nThe PD500W microphone is Maono's new-generation wireless desktop microphone. It supports dual-microphone usage, making it an ideal solution for two-person podcasts or live streams"},{"id":"717720","string_id":"PFS3PgTf","status":"1","parent_id":"716819","slug":"PD400W-User-Guide","order":"0","name":"PD500W User Guide","type":"2","cover":"","cover_alt":"","desc":null,"website":"","contact":"","seo_title":"","seo_keyword":"","seo_desc":"","share_switch":"0","share_code":"","author":"Zoffy","published_time":"1770431126","add_time":"1770188783","update_time":"1778036371","corp_auth_id":"0","verify_code_auth_id":"0","editor_type":"3","file_type":"","auth_id":"[\"716819\", \"619750\"]","content":{"content_id":"717720","content":"
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Product Overview<\/span><\/h2>\n
The PD500W microphone is Maono's new-generation wireless desktop microphone. It supports dual-microphone usage, making it an ideal solution for two-person podcasts or live streams. Two creators can each hold one microphone and connect to the live streaming platform synchronously through a single receiver without the need for an external sound card, simplifying the setup process for your creative scenes.<\/span><\/p>\n
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Product Functions<\/span><\/h2>\n
1. Device Switching<\/span><\/span><\/h3>\n
When two microphones are connected simultaneously, tap the top tab bar to switch between the microphones you want to configure.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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2. Battery Level Display<\/span><\/span><\/h3>\n
The current battery level of the microphones is displayed at the top of the app interface. When the battery is low, the microphone indicator light will flash rapidly. Please recharge the microphones in a timely manner.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3. Basic<\/span>s<\/span><\/span><\/h3>\n
3<\/span>.<\/span>1<\/span> Microphone Gain<\/span><\/span><\/h4>\n
The microphone supports both manual and automatic gain adjustment modes to meet different usage requirements.<\/span><\/p>\n
\u25cf Manual Gain<\/span><\/strong>: <\/strong>Drag the slider to adjust the microphone input gain, with an adjustable range from -18dB to 18dB.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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\u25cf Automatic Gain Control <\/strong>(ALC)<\/span>: Automatically adjusts the microphone gain to ensure balanced sound output and prevent low volume or overload distortion. Three gain levels are available: Short Distance, Medium Distance, and Long Distance. Select the appropriate level based on your speaking volume and distance from the microphone.<\/span><\/p>\n
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\u26a0\ufe0fNote: Enabling Automatic Gain Control will affect the performance of the compressor and limiter, so these two functions will be temporarily disabled.<\/span><\/em><\/p>\n<\/blockquote>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3<\/span>.<\/span>2<\/span> Noise Reduction<\/span><\/span><\/h4>\n
The PD500W supports two noise reduction modes: Preset Noise Reduction and Custom Noise Reduction.<\/span><\/p>\n
\u25cf Preset Noise Reduction<\/span><\/strong>: <\/strong>Offers three noise reduction levels—<\/span>Slight<\/span>, <\/span>Moderate<\/span>, and Aggressive—to adapt to different noisy environments.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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\u25cf Custom Noise Reduction<\/span><\/strong>: <\/strong>If the preset modes do not meet your needs, you can manually adjust the noise reduction level in Custom Noise Reduction mode, with an adjustable range from<\/span> ndB to mdB<\/span>.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3<\/span>.<\/span>3<\/span> Compressor & Limiter<\/span><\/span><\/h4>\n
Basic compressor and limiter functions are provided. In most cases, adjusting the outer threshold will yield ideal results. For more precise adjustments, tap the \"More\" icon to enter the advanced settings window, where you can modify parameters such as compression ratio, limiting ratio, attack time, release time, and threshold.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3.4 Microphone Monitoring<\/span><\/h4>\n
The PD500W is equipped with a 3.5mm headphone monitoring jack for real-time microphone monitoring, and supports multi-channel sound mixing to meet your needs from solo creation to multi-device collaboration.<\/span><\/p>\n
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Headphone Volume<\/span><\/strong><\/p>\n
Adjust the monitoring output volume of the current microphone with one click.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Monitoring Output<\/span><\/strong><\/p>\n
Check the audio sources you want to monitor through the current microphone. You can flexibly configure the monitoring output based on different creative scenarios. After checking the corresponding device option, the sound from that device will be output through the headphones.<\/span><\/p>\n
\u25cf Current Microphone<\/span><\/strong> (e.g., PD500W-1)<\/span>: Monitor your own voice.<\/span><\/p>\n
\u25cf Computer<\/span><\/strong>: <\/strong>Monitor background music, game audio, or call sounds.<\/span><\/p>\n
\u25cf Other Microphones <\/strong>(e.g., PD500W-2)<\/span>: Monitor your partner's voice.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3<\/span>.<\/span>5<\/span> Internal Recording<\/span><\/span><\/h4>\n
The internal recording function effectively prevents material loss caused by wireless interference or camera malfunctions. You can enable or disable this function at any time as needed.<\/span><\/p>\n
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\u26a0\ufe0fNote: Internal recording cannot be enabled when the remaining recording time of the TX is less than 30 minutes. Please export the audio files first and then perform the formatting operation.<\/span><\/em><\/p>\n<\/blockquote>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Bit Depth<\/span><\/strong><\/span><\/p>\n
Set the audio bit depth for microphone internal recording. Two options are supported: 24bit and 32-bit float.<\/span><\/p>\n
\u25cf 24bit<\/span><\/strong>: <\/strong>Standard audio bit depth, suitable for daily recording needs.<\/span><\/p>\n
\u25cf 32-bit float<\/span><\/strong>: <\/strong>Preserves more complete audio information, expanding the scope for post-audio processing.<\/span><\/p>\n
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\u26a0\ufe0fNote: Enabling 32-bit float bit depth will increase the file size, thus shortening the total recording duration of the TX.<\/span><\/em><\/p>\n<\/blockquote>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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File Type<\/span><\/strong><\/p>\n
Select the file type for saved internal recordings, with two options available:<\/span><\/p>\n
\u25cf Original File<\/span><\/strong>: <\/strong>Raw audio files without any algorithmic processing, retaining the complete original recording information.<\/span><\/p>\n
\u25cf Processed File<\/span><\/strong>:<\/strong> Audio files optimized by algorithms, such as noise reduction and scene sound effect enhancement.<\/span><\/p>\n
Note: The bit depth and file type cannot be modified while internal recording is <\/span>enable<\/span>.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Internal Recording Settings<\/span><\/strong><\/p>\n
\u25cf Startup Auto Recor<\/span>ding<\/span>:<\/span> <\/strong>When enabled, the TX will automatically start recording upon powering on.<\/span><\/p>\n
\u25cf Low Power Auto Recording<\/span><\/strong>: <\/strong>When enabled, the TX will automatically start recording when the RX battery level drops to 10%, ensuring critical audio material is not lost.<\/span><\/p>\n
\u25cf Loop Recording<\/span><\/strong>:<\/strong> When enabled, the device will automatically overwrite the earliest recorded files when the TX storage space is full, continuously saving the latest audio content.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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File Export<\/span><\/strong><\/p>\n
Press and hold the microphone's internal recording button for 5 seconds to activate USB Drive Mode. Then, connect the microphone to a computer or phone via a USB cable to export the recorded files.<\/span><\/p>\n
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Storage Space<\/span><\/strong><\/p>\n
With 24bit bit depth, the device supports up to <\/span>XX<\/span> hours of recording. With 32-bit float bit depth, the supported recording duration is <\/span>XX<\/span> hours.To format the microphone's storage space, tap the \"Format\" button in the upper right corner of the interface.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3<\/span>.<\/span>6<\/span> Electronic Pop Filter<\/span><\/span><\/h4>\n
Enabling the electronic pop filter function helps reduce the impact of plosive sounds such as \"p\" and \"b\", aspirated sounds such as \"t\", \"k\", and \"h\", and high-speed airflow noise caused by close-distance recording on the audio quality.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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3<\/span>.<\/span>7<\/span> General Functions<\/span><\/span><\/h4>\n
Reverb<\/span><\/strong><\/p>\n
Reverb function is provided, supporting both Preset Reverb and Custom Reverb modes.<\/span><\/p>\n
\u25cf Preset Reverb<\/span><\/strong>: <\/strong>10 preset reverb levels are available for quick adjustment based on personal preferences.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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\u25cf Custom Reverb<\/span><\/strong>:<\/strong> If the preset effects are insufficient, enable Custom Mode. 3 groups of savable custom configurations are offered, allowing you to adjust professional parameters such as compression threshold and compression ratio for precise reverb tuning.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Timecode<\/span><\/strong><\/p>\n
Timecode is a time marker used for synchronizing audio and video. This function is only supported when connected to the Camera RX.<\/span><\/p>\n
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Timecode Mode<\/span><\/strong><\/p>\n
The Camera RX can output timecode to cameras, mobile devices, and PCs. Three timecode modes are supported:<\/span><\/p>\n
\u25cf L-OUT<\/span><\/strong>:<\/strong> The receiver outputs timecode in Linear Timecode (LTC) format. Suitable for other devices that support external timecode input.<\/span><\/p>\n
\u25cf A-OUT<\/span><\/strong>: <\/strong>The receiver outputs timecode in Audio Timecode (ATC) format. It outputs the RX timecode to devices that do not support external timecode input by occupying the left audio channel.<\/span><\/p>\n
\u25cf N\/A<\/span><\/strong>: <\/strong>The receiver runs the timecode but does not output it externally; the timecode is only recorded in the internal recording files.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Timecode Frame Rate<\/span><\/strong><\/p>\n
Covers common video frame rates, with a default setting of 29.97F. Ensure the frame rate is consistent across all recording devices during use.<\/span><\/p>\n
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\u26a0\ufe0fNote: Switching the frame rate during internal recording will start a new recording session.<\/span><\/em><\/p>\n<\/blockquote>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Timing Method<\/span><\/strong><\/p>\n
Select the timecode timing method, which defaults to counting from zero. When \"Real-Time Timing\" is selected, the timecode will synchronize with the phone system time.<\/span><\/p>\n
Note: Switching the timing method during internal recording will start a new recording session.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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Microphone Identification<\/span><\/strong><\/p>\n
When Microphone Identification is enabled, the indicator light of Mic1 will turn purple and Mic2 will turn cyan when adjusting the microphone gain.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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4. Scenes<\/span><\/span><\/h3>\n
The software includes four preset scenes: \u200b\u200bOriginal\u200b\u200b, Stream<\/span>,<\/span> R<\/span>e<\/span>c<\/span>o<\/span>r<\/span>d<\/span>i<\/span>n<\/span>g<\/span> and \u200b\u200b<\/span>P<\/span>o<\/span>d<\/span>c<\/span>a<\/span>s<\/span>t<\/span>. Each scene includes optimized audio presets tailored to specific use cases. Select the scene that best matches your activity for an optimized audio experience. Clicking on any scene will automatically load its preset sound configuration.<\/span><\/p>\n
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4.1 Sound configurations<\/span><\/h4>\n
Preset Sound Effects:<\/span><\/strong> <\/strong>Preset sound configurations cannot be modified. If the effects do not meet your expectations, click the \"Copy\" button to create a a fully customizable copy of the current configuration. This new configuration can then be tuned on-site. <\/span><\/p>\n
Custom Sound Effects:<\/span><\/strong> <\/strong>Under each scene, you can create multiple custom sound configurations. You can export your own configurations to share with friends, or import sound effect files tuned for the PD500W<\/span> by others. In the future, the official website will offer more scene sound effects for download, which can be used immediately with one-click import after downloading.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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4.<\/span>2<\/span> Impor<\/span>t<\/span><\/span><\/h4>\n
An \"Import Configuration\" button is located on the right side of the \"My Scene\" title bar. Here, you can select and import sound files shared by others<\/span>. Once imported, the sound configuration will be automatically added to the list of the corresponding scene. You can then apply this profile to experience the same tuning effect.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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4.<\/span>3<\/span> Create New<\/span><\/span><\/h4>\n
You can create a new custom sound configuration by clicking the \"+\" button in the menu bar below the scene.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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4.<\/span>4<\/span> Export<\/span><\/span><\/h4>\n
After selecting the desired audio effect configuration, click the \"Export\" button. The current configuration data will then be saved to your specified location.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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4<\/span>.<\/span>5 Deletion and Editing<\/span><\/span><\/h4>\n
The \"More\" menu supports the export and deletion of audio effect configurations.<\/span><\/p>\n
Hover the mouse over a custom audio effect box, and the Delete and Edit buttons will appear.<\/span><\/p>\n
Delete: <\/strong>Click \"Delete\" to directly remove the current audio effect configuration.<\/span><\/p>\n
Edit: <\/strong>Click \"Edit\" to open a pop-up window for adjusting the PEQ tuning of the current configuration.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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4.<\/span>6<\/span> EQ<\/span> Adjustment<\/span><\/span><\/h4>\n
Each audio effect configuration includes a graphical EQ tuning feature, comprising an HPF (High-Pass Filter), an LPF (Low-Pass Filter), and 10 bands. By dragging a band, you can directly boost or attenuate the gain at a specific frequency to quickly optimize the microphone's sound.<\/span><\/p>\n
You can click on a band or locate it in the parameter panel below to modify its filter type, gain, frequency, and Q value.<\/span><\/p>\n
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The above image is for illustration purposes only.<\/em><\/span><\/p>\n
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When adjusting the EQ, you can monitor in real-time to hear the effect of the changes. Right-click on an EQ curve to perform actions such as copying, exporting, creating a new curve, or deleting it.<\/span><\/p>\n
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The EQ Presets panel located in the bottom-right corner of the window provides menu options to create new or import audio effect configurations. Furthermore, right-clicking on any existing preset allows you to modify its curve appearance (thickness and color), rename it, or perform actions like copying and exporting the curve.<\/span><\/p>\n
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5. Channel Settings<\/span><\/span><\/h3>\n
\u25cf Mono<\/span><\/strong>: <\/strong>Merges audio signals into a single channel, with identical audio output from both left and right channels.<\/span><\/p>\n
\u25cf Stereo<\/span><\/strong>:<\/strong> When two microphones are connected to the receiver (RX), the left and right channels will output independent audio tracks from each microphone respectively.<\/span><\/p>\n
\u25cf Safety Track<\/span><\/strong>: <\/strong>Outputs two audio files through left and right channels. The left channel is the original volume, while the right channel is a backup track with 9dB attenuation.<\/span><\/p>\n
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6. Recording<\/span><\/span><\/h3>\n
The default recording format is 48kHz\/16bit, PCM format audio, and audio recorded can be exported to your destination folder.<\/span><\/p>\n
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7. Firmware Up<\/span>dat<\/span>e<\/span><\/span><\/h3>\n
<\/span><\/p>\n<\/div>\n<\/div>","pure_content":"\u00a0\n\n\nProduct Overview\nThe PD500W microphone is Maono's new-generation wireless desktop microphone. It supports dual-microphone usage, making it an ideal solution for two-person podcasts or live streams. Two creators can each hold one microphone and connect to the live streaming platform synchronously through a single receiver without the need for an external sound card, simplifying the setup process for your creative scenes.\n\u00a0\n\n\u00a0\nProduct Functions\n1.\u00a0 Device Switching\nWhen two microphones are connected simultaneously, tap the top tab bar to switch between the microphones you want to configure.\n\nThe above image is for illustration purposes only.\n\u00a0\n2.\u00a0 Battery Level Display\nThe current battery level of the microphones is displayed at the top of the app interface. When the battery is low, the microphone indicator light will flash rapidly. Please recharge the microphones in a timely manner.\n\nThe above image is for illustration purposes only.\n\u00a0\n3.\u00a0 Basics\n3.1 Microphone Gain\nThe microphone supports both manual and automatic gain adjustment modes to meet different usage requirements.\n\u25cf\u00a0Manual Gain: Drag the slider to adjust the microphone input gain, with an adjustable range from -18dB to 18dB.\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf\u00a0Automatic Gain Control (ALC): Automatically adjusts the microphone gain to ensure balanced sound output and prevent low volume or overload distortion. Three gain levels are available: Short Distance, Medium Distance, and Long Distance. Select the appropriate level based on your speaking volume and distance from the microphone.\n\n\u26a0\ufe0fNote: Enabling Automatic Gain Control will affect the performance of the compressor and limiter, so these two functions will be temporarily disabled.\n\n\nThe above image is for illustration purposes only.\n\u00a0\n3.2 Noise Reduction\nThe PD500W supports two noise reduction modes: Preset Noise Reduction and Custom Noise Reduction.\n\u25cf\u00a0Preset Noise Reduction: Offers three noise reduction levels\u2014Slight, Moderate, and Aggressive\u2014to adapt to different noisy environments.\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf\u00a0Custom Noise Reduction: If the preset modes do not meet your needs, you can manually adjust the noise reduction level in Custom Noise Reduction mode, with an adjustable range from ndB to mdB.\n\nThe above image is for illustration purposes only.\n\u00a0\n3.3 Compressor & Limiter\nBasic compressor and limiter functions are provided. In most cases, adjusting the outer threshold will yield ideal results. For more precise adjustments, tap the \"More\" icon to enter the advanced settings window, where you can modify parameters such as compression ratio, limiting ratio, attack time, release time, and threshold.\n\nThe above image is for illustration purposes only.\n\u00a0\n3.4 Microphone Monitoring\nThe PD500W is equipped with a 3.5mm headphone monitoring jack for real-time microphone monitoring, and supports multi-channel sound mixing to meet your needs from solo creation to multi-device collaboration.\n\u00a0\nHeadphone Volume\nAdjust the monitoring output volume of the current microphone with one click.\n\nThe above image is for illustration purposes only.\n\u00a0\nMonitoring Output\nCheck the audio sources you want to monitor through the current microphone. You can flexibly configure the monitoring output based on different creative scenarios. After checking the corresponding device option, the sound from that device will be output through the headphones.\n\u25cf\u00a0Current Microphone (e.g., PD500W-1): Monitor your own voice.\n\u25cf\u00a0Computer: Monitor background music, game audio, or call sounds.\n\u25cf\u00a0Other Microphones (e.g., PD500W-2): Monitor your partner's voice.\n\nThe above image is for illustration purposes only.\n\u00a0\n3.5 Internal Recording\nThe internal recording function effectively prevents material loss caused by wireless interference or camera malfunctions. You can enable or disable this function at any time as needed.\n\n\u26a0\ufe0fNote: Internal recording cannot be enabled when the remaining recording time of the TX is less than 30 minutes. Please export the audio files first and then perform the formatting operation.\n\n\nThe above image is for illustration purposes only.\n\u00a0\nBit Depth\nSet the audio bit depth for microphone internal recording. Two options are supported: 24bit and 32-bit float.\n\u25cf\u00a024bit: Standard audio bit depth, suitable for daily recording needs.\n\u25cf\u00a032-bit float: Preserves more complete audio information, expanding the scope for post-audio processing.\n\n\u26a0\ufe0fNote: Enabling 32-bit float bit depth will increase the file size, thus shortening the total recording duration of the TX.\n\n\nThe above image is for illustration purposes only.\n\u00a0\nFile Type\nSelect the file type for saved internal recordings, with two options available:\n\u25cf\u00a0Original File: Raw audio files without any algorithmic processing, retaining the complete original recording information.\n\u25cf\u00a0Processed File: Audio files optimized by algorithms, such as noise reduction and scene sound effect enhancement.\nNote: The bit depth and file type cannot be modified while internal recording is enable.\n\nThe above image is for illustration purposes only.\n\u00a0\nInternal Recording Settings\n\u25cf\u00a0Startup Auto Recording: When enabled, the TX will automatically start recording upon powering on.\n\u25cf\u00a0Low Power Auto Recording: When enabled, the TX will automatically start recording when the RX battery level drops to 10%, ensuring critical audio material is not lost.\n\u25cf\u00a0Loop Recording: When enabled, the device will automatically overwrite the earliest recorded files when the TX storage space is full, continuously saving the latest audio content.\n\nThe above image is for illustration purposes only.\n\u00a0\nFile Export\nPress and hold the microphone's internal recording button for 5 seconds to activate USB Drive Mode. Then, connect the microphone to a computer or phone via a USB cable to export the recorded files.\n\u00a0\nStorage Space\nWith 24bit bit depth, the device supports up to XX hours of recording. With 32-bit float bit depth, the supported recording duration is XX hours.To format the microphone's storage space, tap the \"Format\" button in the upper right corner of the interface.\n\nThe above image is for illustration purposes only.\n\u00a0\n3.6 Electronic Pop Filter\nEnabling the electronic pop filter function helps reduce the impact of plosive sounds such as \"p\" and \"b\", aspirated sounds such as \"t\", \"k\", and \"h\", and high-speed airflow noise caused by close-distance recording on the audio quality.\n\nThe above image is for illustration purposes only.\n\u00a0\n3.7 General Functions\nReverb\nReverb function is provided, supporting both Preset Reverb and Custom Reverb modes.\n\u25cf\u00a0Preset Reverb: 10 preset reverb levels are available for quick adjustment based on personal preferences.\n\nThe above image is for illustration purposes only.\n\u00a0\n\u25cf\u00a0Custom Reverb: If the preset effects are insufficient, enable Custom Mode. 3 groups of savable custom configurations are offered, allowing you to adjust professional parameters such as compression threshold and compression ratio for precise reverb tuning.\n\nThe above image is for illustration purposes only.\n\u00a0\nTimecode\nTimecode is a time marker used for synchronizing audio and video. This function is only supported when connected to the Camera RX.\n\u00a0\nTimecode Mode\nThe Camera RX can output timecode to cameras, mobile devices, and PCs. Three timecode modes are supported:\n\u25cf\u00a0L-OUT: The receiver outputs timecode in Linear Timecode (LTC) format. Suitable for other devices that support external timecode input.\n\u25cf\u00a0A-OUT: The receiver outputs timecode in Audio Timecode (ATC) format. It outputs the RX timecode to devices that do not support external timecode input by occupying the left audio channel.\n\u25cf\u00a0N\/A: The receiver runs the timecode but does not output it externally; the timecode is only recorded in the internal recording files.\n\nThe above image is for illustration purposes only.\n\u00a0\nTimecode Frame Rate\nCovers common video frame rates, with a default setting of 29.97F. Ensure the frame rate is consistent across all recording devices during use.\n\n\u26a0\ufe0fNote: Switching the frame rate during internal recording will start a new recording session.\n\n\nThe above image is for illustration purposes only.\n\u00a0\nTiming Method\nSelect the timecode timing method, which defaults to counting from zero. When \"Real-Time Timing\" is selected, the timecode will synchronize with the phone system time.\nNote: Switching the timing method during internal recording will start a new recording session.\n\nThe above image is for illustration purposes only.\n\u00a0\nMicrophone Identification\nWhen Microphone Identification is enabled, the indicator light of Mic1 will turn purple and Mic2 will turn cyan when adjusting the microphone gain.\n\nThe above image is for illustration purposes only.\n\u00a0\n4.\u00a0 Scenes\nThe software includes four preset scenes: \u200b\u200bOriginal\u200b\u200b, Stream, Recording and \u200b\u200bPodcast. Each scene includes optimized audio presets tailored to specific use cases. Select the scene that best matches your activity for an optimized audio experience. Clicking on any scene will automatically load its preset sound configuration.\n\u00a0\n4.1 Sound configurations\nPreset Sound Effects: Preset sound configurations cannot be modified. If the effects do not meet your expectations, click the \"Copy\" button to create a a fully customizable copy of the current configuration. This new configuration can then be tuned on-site. \nCustom Sound Effects: Under each scene, you can create multiple custom sound configurations. You can export your own configurations to share with friends, or import sound effect files tuned for the PD500W by others. In the future, the official website will offer more scene sound effects for download, which can be used immediately with one-click import after downloading.\n\nThe above image is for illustration purposes only.\n\u00a0\n4.2 Import\nAn \"Import Configuration\" button is located on the right side of the \"My Scene\" title bar. Here, you can select and import sound files shared by others. Once imported, the sound configuration will be automatically added to the list of the corresponding scene. You can then apply this profile to experience the same tuning effect.\n\nThe above image is for illustration purposes only.\n\u00a0\n4.3 Create New\nYou can create a new custom sound configuration by clicking the \"+\" button in the menu bar below the scene.\n\nThe above image is for illustration purposes only.\n\u00a0\n4.4 Export\nAfter selecting the desired audio effect configuration, click the \"Export\" button. The current configuration data will then be saved to your specified location.\n\nThe above image is for illustration purposes only.\n\u00a0\n4.5 Deletion and Editing\nThe \"More\" menu supports the export and deletion of audio effect configurations.\nHover the mouse over a custom audio effect box, and the Delete and Edit buttons will appear.\nDelete: Click \"Delete\" to directly remove the current audio effect configuration.\nEdit: Click \"Edit\" to open a pop-up window for adjusting the PEQ tuning of the current configuration.\n\nThe above image is for illustration purposes only.\n\u00a0\n4.6 EQ Adjustment\nEach audio effect configuration includes a graphical EQ tuning feature, comprising an HPF (High-Pass Filter), an LPF (Low-Pass Filter), and 10 bands. By dragging a band, you can directly boost or attenuate the gain at a specific frequency to quickly optimize the microphone's sound.\nYou can click on a band or locate it in the parameter panel below to modify its filter type, gain, frequency, and Q value.\n\nThe above image is for illustration purposes only.\n\u00a0\nWhen adjusting the EQ, you can monitor in real-time to hear the effect of the changes. Right-click on an EQ curve to perform actions such as copying, exporting, creating a new curve, or deleting it.\n\nThe above image is for illustration purposes only.\n\u00a0\nThe EQ Presets panel located in the bottom-right corner of the window provides menu options to create new or import audio effect configurations. Furthermore, right-clicking on any existing preset allows you to modify its curve appearance (thickness and color), rename it, or perform actions like copying and exporting the curve.\n\nThe above image is for illustration purposes only.\n\u00a0\n5.\u00a0 Channel Settings\n\u25cf\u00a0Mono: Merges audio signals into a single channel, with identical audio output from both left and right channels.\n\u25cf\u00a0Stereo: When two microphones are connected to the receiver (RX), the left and right channels will output independent audio tracks from each microphone respectively.\n\u25cf\u00a0Safety Track: Outputs two audio files through left and right channels. The left channel is the original volume, while the right channel is a backup track with 9dB attenuation.\n\nThe above image is for illustration purposes only.\n\u00a0\n6.\u00a0 Recording\nThe default recording format is 48kHz\/16bit, PCM format audio, and audio recorded can be exported to your destination folder.\n\nThe above image is for illustration purposes only.\n\u00a0\n7.\u00a0 Firmware Update\n\u00a0","is_draft":"0","editor_type":"3","file_path":"","add_time":"1770188783","update_time":"1778036371"},"pure_content":"\u00a0\n\n\nProduct Overview\nThe PD500W microphone is Maono's new-generation wireless desktop microphone. It supports dual-microphone usage, making it an ideal solution for two-person podcasts or live streams"}],"content":{"icon":"","desc":"","content_id":"716819","add_time":"1770088141","update_time":"1770088141","content":"","is_traffic_less":"0","file_type":""},"hot_list":[],"user_read_num":"0","is_auth":"0"},"msg":"Success","code":200}